Showing posts with label ernest hemingway. Show all posts
Showing posts with label ernest hemingway. Show all posts
By: Ernest Hemingway

The door of Henry’s lunchroom opened and two men came in. They sat down at the counter.

“What’s yours?” George asked them.

“I don’t know,” one of the men said. “What do you want to eat, Al?” 

“I don’t know,” said Al. “I don’t know what I want to eat.”

Outside it was getting dark. The streetlight came on outside the window. The two men at the counter read the menu. From the other end of the counter Nick Adams watched them. He had been talking to George when they came in.

“I’ll have a roast pork tenderloin with apple sauce and mashed potatoes,” the first man said.

“It isn’t ready yet.”

“What the hell do you put it on the card for?”

“That’s the dinner,” George explained. “You can get that at six o’clock.” 

George looked at the clock on the wall behind the counter. 

“It’s five o’clock.”

“The clock says twenty minutes past five,” the second man said.

“It’s twenty minutes fast.”

“Oh, to hell with the clock,” the first man said. “What have you got to eat?”

“I can give you any kind of sandwiches,” George said. “You can have ham and eggs, bacon and eggs, liver and bacon, or a steak.”

“Give me chicken croquettes with green peas and cream sauce and mashed potatoes.”

“That’s the dinner.”

“Everything we want’s the dinner, eh? That’s the way you work it.” 

“I can give you ham and eggs, bacon and eggs, liver—”

“I’ll take ham and eggs,” the man called Al said. He wore a derby hat and a black overcoat buttoned across the chest. His face was small and white and he had tight lips. He wore a silk muffler and gloves.

“Give me bacon and eggs,” said the other man. He was about the same size as Al. Their faces were different, but they were dressed like twins. Both wore overcoats too tight for them. They sat leaning forward, their elbows on the counter.

“Got anything to drink?” Al asked.

“Silver beer, bevo, ginger-ale,” George said.

“I mean you got anything to drink?”

“Just those I said.”

“This is a hot town,” said the other. “What do they call it?” 

“Summit.”

“Ever hear of it?” Al asked his friend.

“No,” said the friend.

“What do they do here nights?” Al asked.

“They eat the dinner,” his friend said. “They all come here and eat the big dinner.”

“That’s right,” George said.

“So you think that’s right?” Al asked George.

“Sure.”

“You’re a pretty bright boy, aren’t you?”

“Sure,” said George.

“Well, you’re not,” said the other little man. “Is he, Al?”

“He’s dumb,” said Al. He turned to Nick. “What’s your name?” 

“Adams.”

“Another bright boy,” Al said. “Ain’t he a bright boy, Max?”

“The town’s full of bright boys,” Max said.

George put the two platters, one of ham and eggs, the other of bacon and eggs, on the counter. He set down two side dishes of fried potatoes and closed the wicket into the kitchen.

“Which is yours?” he asked Al. 

“Don’t you remember?” 

“Ham and eggs.”

“Just a bright boy,” Max said. He leaned forward and took the ham and eggs. Both men ate with their gloves on. George watched them eat. 

“What are you looking at?” Max looked at George. 

“Nothing.”

“The hell you were. You were looking at me.” 

“Maybe the boy meant it for a joke, Max,” Al said. 

George laughed.

“You don’t have to laugh,” Max said to him. “You don’t have to laugh at all, see?’

“All right,” said George.

“So he thinks it’s all right.” Max turned to Al. “He thinks it’s all right. That’s a good one.”

“Oh, he’s a thinker,” Al said. They went on eating.

“What’s the bright boy’s name down the counter?” Al asked Max.

“Hey, bright boy,” Max said to Nick. “You go around on the other side of the counter with your boy friend.”

“What’s the idea?” Nick asked. 

“There isn’t any idea.”

“You better go around, bright boy,” Al said. Nick went around behind the counter.

“What’s the idea?” George asked.

“None of your damned business,” Al said. “Who’s out in the kitchen?”

“The nigger.”

“What do you mean the nigger?”

“The nigger that cooks.” 

“Tell him to come in.” 

“What’s the idea?”

“Tell him to come in.” 

“Where do you think you are?”

“We know damn well where we are,” the man called Max said. “Do we look silly?”

“You talk silly,” A1 said to him. “What the hell do you argue with this kid for?  Listen,” he said to George, “tell the nigger to come out here.” 

“What are you going to do to him?”

“Nothing. Use your head, bright boy. What would we do to a nigger?”

George opened the slit that Opened back into the kitchen. “Sam,” he called. “Come in here a minute.”

The door to the kitchen opened and the nigger came in. “What was it?” he asked. The two men at the counter took a look at him.

“All right, nigger. You stand right there,” Al said.

Sam, the nigger, standing in his apron, looked at the two men sitting at the counter. “Yes, sir,” he said. Al got down from his stool.

“I’m going back to the kitchen with the nigger and bright boy,” he said. “Go on back to the kitchen, nigger. You go with him, bright boy.” The little man walked after Nick and Sam, the cook, back into the kitchen. The door shut after them. The man called Max sat at the counter opposite George. He didn’t look at George but looked in the mirror that ran along back of the counter. Henry’s had been made over from a saloon into a lunch counter.

“Well, bright boy,” Max said, looking into the mirror, “why don’t you say something?” 

“What’s it all about?”

“Hey, Al,” Max called, “bright boy wants to know what it’s all about.”

“Why don’t you tell him?” Al’s voice came from the kitchen.

“What do you think it’s all about?”

“I don’t know.”

“What do you think?”

Max looked into the mirror all the time he was talking.

“I wouldn’t say.”

“Hey, Al, bright boy says he wouldn’t say what he thinks it’s all about.” 

“I can hear you, all right,” Al said from the kitchen. He had propped open the slit that dishes passed through into the kitchen with a catsup bottle. “Listen, bright boy,” he said from the kitchen to George. “Stand a little further along the bar. You move a little to the left, Max.” He was like a photographer arranging for a group picture.

“Talk to me, bright boy,” Max said. “What do you think’s going to happen?”

George did not say anything.

“I’ll tell you,” Max said. “We’re going to kill a Swede. Do you know a big Swede named Ole Anderson?”

“Yes.”

“He comes here to eat every night, don’t he?”

“Sometimes he comes here.”

“He comes here at six o’clock, don’t he?”

“If he comes.”

“We know all that, bright boy,” Max said. “Talk about something else. Ever go to the movies?”

“Once in a while.”

“You ought to go to the movies more. The movies are fine for a bright boy like you.”

“What are you going to kill Ole Anderson for? What did he ever do to you?”

“He never had a chance to do anything to us. He never even seen us.” 

And he’s only going to see us once,” Al said from the kitchen: 

“What are you going to kill him for, then?” George asked. 

“We’re killing him for a friend. Just to oblige a friend, bright boy.” 

“Shut up,” said Al from the kitchen. “You talk too goddamn much.” 

“Well, I got to keep bright boy amused. Don’t I, bright boy?”

“You talk too damn much,” Al said. “The nigger and my bright boy are amused by themselves. I got them tied up like a couple of girl friends in the convent.”

“I suppose you were in a convent.”

“You never know.”

“You were in a kosher convent. That’s where you were.”

George looked up at the clock.

“If anybody comes in you tell them the cook is off, and if they keep after it, you tell them you’ll go back and cook yourself. Do you get that, bright boy?”

“All right,” George said. “What you going to do with us afterward?”

“That’ll depend,” Max said. “That’s one of those things you never know at the time.”

George looked up at the dock. It was a quarter past six. The door from the street opened. A streetcar motorman came in.

“Hello, George,” he said. “Can I get supper?”

“Sam’s gone out,” George said. “He’ll be back in about half an hour.”

“I’d better go up the street,” the motorman said. George looked at the clock. It was twenty minutes, past six.

“That was nice, bright boy,” Max said. “You’re a regular little gentleman.”

“He knew I’d blow his head off,” Al said from the kitchen.

“No,” said Max. “It ain’t that. Bright boy is nice. He’s a nice boy. I like him.”

At six-fifty-five George said: “He’s not coming.”

Two other people had been in the lunchroom. Once George had gone out to the kitchen and made a ham-and-egg sandwich “to go” that a man wanted to take with him. Inside the kitchen he saw Al, his derby hat tipped back, sitting on a stool beside the wicket with the muzzle of a sawed-off shotgun resting on the ledge. Nick and the cook were back to back in the corner, a towel tied in each of their mouths. George had cooked the sandwich, wrapped it up in oiled paper, put it in a bag, brought it in, and the man had paid for it and gone out.

“Bright boy can do everything,” Max said. “He can cook and everything. You’d make some girl a nice wife, bright boy.”

“Yes?” George said, “Your friend, Ole Anderson, isn’t going to come.” 

“We’ll give him ten minutes,” Max said.

Max watched the mirror and the clock. The hands of the clock marked seven o’clock, and then five minutes past seven.

“Come on, Al,” said Max. “We better go. He’s not coming.”

“Better give him five minutes,” Al said from the kitchen.

In the five minutes a man came in, and George explained that the cook was sick.

“Why the hell don’t you get another cook?” the man asked. “Aren’t you running a lunch-counter?” He went out.

“Come on, Al,” Max said.

“What about the two bright boys and the nigger?” 

“They’re all right.” 

“You think so?”

“Sure. We’re through with it.”

“I don’t like it,” said Al. “It’s sloppy. You talk too much.”

“Oh, what the hell,” said Max.  “We got to keep amused, haven’t we?” 

“You talk too much, all the same,” Al said. He came out from the kitchen. The cut-off barrels of the shotgun made a slight bulge under the waist of his too tight-fitting overcoat. He straightened his coat with his gloved hands. 

“So long, bright boy,” he said to George. “You got a lot of luck.” 

“That’s the truth,” Max said. “You ought to play the races, bright boy.” 

The two of them went out the door. George watched them, through the window, pass under the arc-light and across the street. In their tight overcoats and derby hats they looked like a vaudeville team. George went back through the swinging door into the kitchen and untied Nick and the cook.

“I don’t want any more of that,” said Sam, the cook. “I don’t want any more of that.”

Nick stood up. He had never had a towel in his mouth before.

“Say,” he said. “What the hell?” He was trying to swagger it off.

“They were going to kill Ole Anderson,” George said. “They were going to shoot him when he came in to eat.”

“Ole Anderson?”

“Sure.”

The cook felt the corners of his mouth with his thumbs.

“They all gone?” he asked.

“Yeah,” said George. “They’re gone now.”

“I don’t like it,” said the cook. “I don’t like any of it at all”

“Listen,” George said to Nick. “You better go see Ole Anderson.”

“All right.”

“You better not have anything to do with it at all,” Sam, the cook, said.  “You better stay way out of it.”

“Don’t go if you don’t want to,” George said.

“Mixing up in this ain’t going to get you anywhere,” the cook said. “You stay out of it.”

“I’ll go see him,” Nick said to George. “Where does he live?”

The cook turned away.

“Little boys always know what they want to do,” he said.

“He lives up at Hirsch’s rooming-house,” George said to Nick.

“I’ll go up there.”

Outside the arc-light shone through the bare branches of a tree. Nick walked up the street beside the car-tracks and turned at the next arc-light down a side-street. Three houses up the street was Hirsch’s rooming-house.  Nick walked up the two steps and pushed the bell. A woman came to the door.

“Is Ole Anderson here?”

“Do you want to see him?”

“Yes, if he’s in.”

Nick followed the woman up a flight of stairs and back to the end of a corridor. She knocked on the door.

“Who is it?”

“It’s somebody to see you, Mr. Anderson,” the woman said.

“It’s Nick Adams.”

“Come in.”

Nick opened the door and went into the room. Ole Anderson was lying on the bed with all his clothes on. He had been a heavyweight prizefighter and he was too long for the bed. He lay with his head on two pillows. He did not look at Nick.

“What was it?” he asked.

“I was up at Henry’s,” Nick said, “and two fellows came in and tied up me and the cook, and they said they were going to kill you.”

It sounded silly when he said it. Ole Anderson said nothing.

“They put us out in the kitchen,” Nick went on. “They were going to shoot you when you came in to supper.”

Ole Anderson looked at the wall and did not say anything.

“George thought I better come and tell you about it.”

“There isn’t anything I can do about it,” Ole Anderson said.

“I’ll tell you what they were like.”

“I don’t want to know what they were like,” Ole Anderson said.  He looked at the wall. “Thanks for coming to tell me about it.”

“That’s all right.”

Nick looked at the big man lying on the bed.

“Don’t you want me to go and see the police?”

“No,” Ole Anderson said. “That wouldn’t do any good.” 

“Isn’t there something I could do?” 

“No. There ain’t anything to do.” 

“Maybe it was just a bluff.” 

“No. It ain’t just a bluff.”

Ole Anderson rolled over toward the wall.

“The only thing is,” he said, talking toward the wall, “I just can’t make up my mind to go out. I been here all day.”

“Couldn’t you get out of town?”

“No,” Ole Anderson said. “I’m through with all that running around.” 

He looked at the wall.

“There ain’t anything to do now.”

“Couldn’t you fix it up some way?”

“No. I got in wrong.” He talked in the same flat voice. “There ain’t anything to do. After a while I’ll make up my mind to go out.”

“I better go back and see George,” Nick said.

“So long,” said Ole Anderson. He did not look toward Nick. “Thanks for coming around.”

Nick went out. As he shut the door he saw Ole Anderson with all his clothes on, lying on the bed looking at the wall.

“He’s been in his room all day,” the landlady said downstairs. “I guess he don’t feel well. I said to him: ‘Mr. Anderson, you ought to go out and take a walk on a nice fall day like this,’ but he didn’t feel like it.”

“He doesn’t want to go out.”

“I’m sorry he don’t feel well,” the woman said. “He’s an awfully nice man. He was in the ring, you know.”

“I know it.”

“You’d never know it except from the way his face is,” the woman said.

They stood talking just inside the street door. “He’s just as gentle.”

“Well, good night, Mrs. Hirsch,’ Nick said.

“I’m not Mrs. Hirsch,” the woman said. “She owns the place. I just look after it for her. I’m Mrs. Bell.”

“Well, good night, Mrs. Bell,” Nick said.

“Good night,” the woman said.

Nick walked up the dark street to the corner under the arc-light, and then along the car-tracks to Henry’s eating-house. George was inside, back of the counter.

“Did you see Ole?”

“Yes,” said Nick. “He’s in his room and he won’t go out.”

The cook opened the door from the kitchen when he heard Nick’s voice.

“I don’t even listen to it,” he said and shut the door.

“Did you tell him about it?” George asked.

“Sure. I told him but he knows what it’s all about.”

“What’s he going to do?”

“Nothing.”

“They’ll kill him.”

“I guess they will.”

“He must have got mixed up in something in Chicago.”

“I guess so,” said Nick.

“It’s a hell of a thing!”

“It’s an awful thing,” Nick said.

They did not say anything. George reached down for a towel and wiped the counter.

“I wonder what he did?” Nick said.

“Double-crossed somebody. That’s what they kill them for.”

“I’m going to get out of this town,” Nick said.

“Yes,” said George. “That’s a good thing to do.”

“I can’t stand to think about him waiting in the room and knowing he’s going to get it. It’s too damned awful.”

“Well,” said George, “you better not think about it.”
By: Ernest Hemingway

THERE had been a sign to detour in the centre of the main street of this town, but cars had obviously gone through, so, believing it was some repair which had been completed, Nicholas Adams drove on through the town along the empty, brick-paved street, stopped by traffic lights that flashed on and off on this traffic-less Sunday, and would be gone next year when the payments on the system were not met; on under the heavy trees of the small town that are a part of your heart if it is your town and you have walked under them, but that are only too heavy, that shut out the sun and that flatten the houses for a stranger; out past the last house and on to the highway that rose and fell straight away ahead with banks of red dirt sliced cleanly away and the secondgrowth timber on both sides. It was not his country but it was the middle of fall and all of this country was good to drive through and to see. The cotton was picked and in the clearings there were patches of corn, some cut with streaks of red sorghum, and, driving easily, his son asleep on the seat by his side, the day's run made, knowing the town he would reach for the night, Nick noticed which cornfields had soy beans or peas in them, how the thickets and the cut-over land lay, where the cabins and houses were in relation to the fields and the thickets; hunting the country in his mind as he went by; sizing up each clearing as to feed and cover and figuring where you would find a covey and which way they would fly.
In shooting quail you must not get between them and their habitual cover, once the dogs have found them, or when they flush they will come pouring at you, some rising steep, some skimming by your ears, whirring into a size you have never seen them in the air; as they pass, the only way being to turn and take them over your shoulder as they go, before they set their wings and angle down into the thicket. Hunting this country for quail as his father taught him, Nicholas Adams started thinking about his father. When he first thought about him it was always the eyes. The big frame, the quick movements, the wide shoulders, the hooked, hawk nose, the beard that covered the weak chin, you never thought about it was always the eyes. They were protected in his head by the formation of the brows; set deep as though a special protection had been devised for some very valuable instrument. They saw much farther and much quicker than the human eye sees and they were the great gift his father had. His father saw as a big-horn ram or as an eagle sees, literally.
He would be standing with his father on one shore of the lake, his own eyes were very good then, and his father would say, 'They've run up the flag.' Nick could not see the flag or the flag pole. 'There,' his father would say, 'it's your sister Dorothy. She's got the flag up and she's walking out on to the dock.'
Nick would look across the lake and he could see the long wooded shore-line, the higher timber behind, the point that guarded the bay, the clear hills of the farm and the white of their cottage in the trees, but he could not see any flag pole, or any dock, only the white of the beach and the curve of the shore.
'Can you see the sheep on the hill-side toward the point?'
'Yes.'
They were a whitish patch on the grey-green of the hill.
'I can count them,' his father said.
Like all men with a faculty that surpasses human requirements, his father was very nervous. Then, too, he was sentimental, and, like most sentimental people, he was both cruel and abused. Also, he had much bad luck, and it was not all of it his own. He had died in a trap that he had helped only a little to set, and they had betrayed him in their various ways before he died. All sentimental people are betrayed so many times. Nick could not write about him yet, although he would, later, but the quail country made him remember him as he was when Nick was a boy and he was very grateful to him for two things: fishing and shooting.
His father was as sound on those two things as he was unsound on sex, for instance, and Nick was glad that it had been that way; for someone has to give you your first gun or the opportunity to get it and use it, and you have to live where there is game or fish if you are to learn about them, and now, at thirty-eight, he loved to fish and to shoot exactly as much as when he first had gone with his father. It was a passion that had never slackened and he was very grateful to his father for bringing him to know it.
While for the other, that his father was not sound about, all the equipment you will ever have is provided and each man learns all there is for him to know about it without advice; and it makes no difference where you live. He remembered very clearly the only two pieces of information his father had given him about that. Once when they were out shooting together Nick shot a red squirrel out of a hemlock tree. The squirrel fell, wounded, and when Nick picked him up bit the boy clean through the ball of the thumb.
'The dirty little bugger,' Nick said and smacked the squirrel's head against the tree. 'Look how he bit me.'
His father looked and said, 'Suck it out clean and put some iodine on when you get home.'
'The little bugger,' Nick said.
'Do you know what a bugger is?' his father asked him.
'We call anything a bugger,' Nick said.
'A bugger is a man who has intercourse with animals.'
'Why?' Nick said.
'I don't know,' his father said. 'But it is a heinous crime.'
Nick's imagination was both stirred and horrified by this and he thought of various animals but none seemed attractive or practical and that was the sum total of direct sexual knowledge bequeathed him by his father except on one other subject. One morning he read in the paper that Enrico Caruso had been arrested for mashing.
'What is mashing?'
'It is one of the most heinous of crimes,' his father answered. Nick's imagination pictured the great tenor doing something strange, bizarre, and heinous with a potato masher to a beautiful lady who looked like the pictures of Anna Held on the inside of cigar boxes. He resolved, with considerable horror, that when he was old enough he would try mashing at least once.
His father had summed up the whole matter by stating that masturbation produced blindness, insanity, and death, while a man who went with prostitutes would contract hideous venereal diseases and that the thing to do was to keep your hands off of people. On the other hand his father had the finest pair of eyes he had ever seen and Nick had loved him very much and for a long time. Now, knowing how it had all been, even remembering the earliest times before things had gone badly was not good remembering.
If he wrote it he could get rid of it. He had gotten rid of many things by writing them. But it was still too early for that. There were still too many people. So he decided to think of something else. There was nothing to do about his father and he had thought it all through many times. The handsome job the undertaker had done on his father's face had not blurred in his mind and all the rest of it was quite clear, including the responsibilities. He had complimented the undertaker. The undertaker had not been both proud and smugly pleased. But it was not the undertaker that had given him that last face. The undertaker had only made certain dashingly executed repairs of doubtful artistic merit.
The face had been making itself and being made for a long time. It had modelled fast in the last three years. It was a good story but there were still too many people alive for him to write it.
Nick's own education in those earlier matters had been acquired in the hemlock woods behind the Indian camp. This was reached by a trail which ran from the cottage through the woods to the farm and then by a road which wound through the slashings to the camp. Now if he could feel all of that trail with bare feet. First there was the pine-needle loam through the hemlock woods behind the cottage where the fallen logs crumbled into wood dust and long splintered pieces of wood hung like javelins in the tree that had been struck by lightning. You crossed the creek on a log and if you stepped off there was the black muck of the swamp. You climbed a fence out of the woods and the trail was hard in the sun across the field with cropped grass and sheep sorrel and mullen growing and to the left the quaky bog of the creek bottom where the killdeer plover fed. The spring house was in that creek. Below the barn there was fresh warm manure and the other older manure that was caked dry on top. Then there was another fence and the hard, hot trail from the barn to the house and the hot sandy road that ran down to the woods, crossing the creek, on a bridge this time, where the cat-tails grew that you soaked in kerosene to make jacklights with for spearing fish at night.
Then the main road went off to the left, skirting the woods and climbing the hill, while you went into the woods on the wide clay and shale road, cool under the trees, and broadened for them to skid out the hemlock bark the Indians cut.
The hemlock bark was piled in long rows of stacks, roofed over with more bark, like houses, and the peeled logs lay huge and yellow where the trees had been felled. They left the logs in the woods to rot, they did not even clear away or burn the tops. It was only the bark they wanted for the tannery at Boyne City; hauling it across the lake on the ice in winter, and each year there was less forest and more open, hot, shadeless, weed-grown slashing.
But there was still much forest then, virgin forest where the trees grew high before there were any branches and you walked on the brown, clean, springy-needled ground with no undergrowth and it was cool on the hottest days and they three lay against the trunk of a hemlock wider than two beds are long, with the breeze high in the tops and the cool light that came in patches, and Billy said: 'You want Trudy again?'
'You want to?'
'Uh Huh.'
'Come on.'
'No, here.'
'But Billy-'
'I no mind Billy. He my brother.'
Then afterwards they sat, the three of them, listening for a black squirrel that was in the top branches where they could not see him. They were waiting for him to bark again because when he barked he would jerk his tail and Nick would shoot where he saw any movement. His father gave him only three cartridges a day to hunt with and he had a single-barrel twenty-gauge shotgun with a very long barrel.
'Son of a bitch never move,' Billy said.
'You shoot, Nickie. Scare him. We see him jump. Shoot him again,' Trudy said. It was a long speech for her.
'I've only got two shells,' Nick said.
'Son of a bitch,' said Billy.
They sat against the tree and were quiet. Nick was feeling hollow and happy.
'Eddie says he going to come some night sleep in bed with you sister Dorothy.'
'What?'
'He said.'
Trudy nodded.
'That's all he want do,' she said. Eddie was their older half-brother. He was seventeen.
'If Eddie Gilby ever comes at night and even speaks to Dorothy you know what I'd do to him? I'd kill him like this.' Nick cocked the gun and hardly taking aim pulled the trigger, blowing a hole as big as your hand in the head or belly of that half-breed bastard Eddie Gilby. 'Like that. I'd kill him like that.'
'He better not come then,' Trudy said. She put her hand in Nick's pocket.
'He better watch out plenty,' said Billy.
'He's big bluff,' Trudy was exploring with her hand in Nick's pocket. 'But don't you kill him. You get plenty trouble.'
'I'd kill him like that,' Nick said. Eddie Gilby lay on the ground with all his chest shot away. Nick put his foot on him proudly.
'I'd scalp him,' he said happily.
'No,' said Trudy. 'That's dirty.'
'I'd scalp him and send it to his mother.'
'His mother dead,' Trudy said. 'Don't you kill him, Nickie. Don't you kill him for me.'
'After I scalped him I'd throw him to the dogs.'
Billy was very depressed. 'He better watch out,' he said gloomily.
'They'd tear him to pieces,' Nick said, pleased with the picture. Then, having scalped that half-breed renegade and standing, watching the dogs tear him, his face unchanging, he fell backward against the tree, held tight around the neck, Trudy holding, choking him, and crying, 'No kill him! No kill him! No kill him! No. No. No. Nickie. Nickie, Nickie!'
'What's the matter with you?'
'No kill him.'
'I got to kill him.'
'He just a big bluff.'
'All right,' Nickie said. 'I won't kill him unless he comes around the house. Let go of me.'
'That's good,' Trudy said, 'You want to do anything now? I feel good now.'
'If Billy goes away,' Nick had killed Eddie Gilby, then pardoned him his life, and he was a man now.
'You go, Billy. You hang around all the time. Go on.'
'Son a bitch,' Billy said. 'I get tired this. What we come? Hunt or what?'
'You can take the gun. There's one shell.'
'All right. I get a big black one all right.'
'I'll holler,' Nick said.
Then, later, it was a long time after and Billy was still away.
'You think we make a baby?' Trudy folded her brown legs together happily and rubbed against him. Something inside Nick had gone a long way away.
'I don't think so,' he said.
'Make plenty baby what the hell.'
They heard Billy shoot.
'I wonder if he got one.'
'Don't care,' said Trudy.
Billy came through the trees. He had the gun over his shoulder and he held a black squirrel by the front paws.
'Look,' he said. 'Bigger than a cat. You all through?'
'Where'd you get him?'
'Over there. Saw him jump first.'
'Got to go home,' Nick said.
'No,' said Trudy.
'I got to get there for supper.'
'All right.'
'Want to hunt to-morrow?'
'All right.'
'You can have the squirrel.'
'All right,'
'Come out after supper?'
'No.'
'How you feel?'
'Good,'
'All right.'
'Give me kiss on the face,' said Trudy.
Now, as he rode along the highway in the car and it was getting dark, Nick was all through thinking about his father.
The end of the day never made him think of him. The end of the day had always belonged to Nick alone and he never felt right unless he was alone at it. His father came back to him in the fall of the year, or in the early spring when there had been jacksnipe on the prairie, or when he saw shocks of corn, or when he saw a lake, or if he ever saw a horse and buggy, or when he saw, or heard, wild geese, or in a duck blind; remembering the time an eagle dropped through the whirling snow to strike a canvas-covered decoy, rising, his wings beating, the talons caught in the canvas. His father was with him, suddenly, in deserted orchards and in new-ploughed fields, in thickets, on small hills, or when going through dead grass, whenever splitting wood or hauling water, by grist mills, cider mills and dams and always with open fires. The towns he lived in were not towns his father knew. After he was fifteen he had shared nothing with him.
His father had frost in his beard in cold weather and in hot weather he sweated very much. He liked to work in the sun on the farm because he did not have to and he loved manual work, which Nick did not. Nick loved his father but hated the smell of him and once when he had to wear a suit of his father's underwear that had gotten too small for his father it made him feel sick and he took it off and put it under two stones in the creek and said that he had lost it. He had told his father how it was when his father had made him put it on but his father had said it was freshly washed. It had been, too. When Nick had asked him to smell of it his father sniffed at it indignantly and said that it was clean and fresh.
When Nick came home from fishing without it and said he lost it he was whipped for lying.
Afterwards he had sat inside the woodshed with the door open, his shotgun loaded and cocked, looking across at his father sitting on the screen porch reading the paper, and thought, 'I can blow him to hell. I can kill him.' Finally he felt his anger go out of him and he felt a little sick about it being the gun that his father had given him. Then he had gone to the Indian camp, walking there in the dark, to get rid of the smell. There was only one person in his family that he liked the smell of; one sister. All the others he avoided all contact with. That sense blunted when he started to smoke.
It was a good thing. It was good for a bird dog but it did not help a man.
'What was it like, Papa, when you were a little boy and used to hunt with the Indians?'
'I don't know,' Nick was startled. He had not even noticed the boy was awake. He looked at him sitting beside him on the seat. He had felt quite alone but this boy had been with him. He wondered for how long. 'We used to go all day to hunt black squirrels,' he said. 'My father only gave me three shells a day because he said that would teach me to hunt and it wasn't good for a boy to go banging around. I went with a boy named Billy Gilby and his sister Trudy. We used to go out nearly every day all one summer.'
'Those are funny names for Indians.'
'Yes, aren't they,' Nick said.
'But tell me what they were like.'
'They were Ojibways,' Nick said. 'And they were very nice.'
'But what were they like to be with?'
'It's hard to say,' Nick Adams said. Could you say she did first what no one has ever done better and mention plump brown legs, flat belly, hard little breasts, well holding arms, quick searching tongue, the flat eyes, the good taste of mouth, then uncomfortably, tightly, sweetly, moistly, lovely, tightly, achingly, fully, finally, unendingly, never-endingly, never-to-endingly, suddenly ended, the great bird flown like an owl in the twilight, only in daylight in the woods and hemlock needles stuck against your belly. So that when you go in a place where Indians have lived you smell them gone and the empty pain killer bottles and the flies that buzz do not kill the sweetgrass smell, the smoke smell and that other like a fresh cased marten skin. Nor any jokes about them nor old squaws take that away. Nor the sick sweet smell they get to have. Nor what they did finally. It wasn't how they ended.
They all ended the same. Long time ago good. Now no good.
And about the other. When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first. He could thank his father for that.
'You might not like them,' Nick said to the boy. 'But I think you would.'
'And my grandfather lived with them too when he was a boy, didn't he?'
'Yes. When I asked him what they were like he said that he had many friends among them.'
'Will I ever live with them?'
'I don't know,' Nick said. 'That's up to you.'
'How old will I be when I get a shotgun and can hunt by myself?'
'Twelve years old if I see you are careful.'
'I wish I was twelve now.'
'You will be, soon enough.'
'What was my grandfather like? I can't remember him except that he gave me an air rifle and an American flag when I came over from France that time. What was he like?'
'He's hard to describe. He was a great hunter and fisherman and he had wonderful eyes.'
'Was he greater than you?'
'He was a much better shot and his father was a great wing shot too.'
'I'll bet he wasn't better than you.'
'Oh, yes he was. He shot very quickly and beautifully. I'd rather see him shoot than any man I ever knew. He was always very disappointed in the way I shot.'
'Why do we never go to pray at the tomb of my grandfather?'
'We live in a different part of the country. It's a long way from here.'
'In France that wouldn't make any difference. In France we'd go. I think I ought to go to pray at the tomb of my grandfather.'
'Some time we'll go.'
'I hope we won't live somewhere so that I can never go to pray at your tomb when you are dead.'
'We'll have to arrange it.'
'Don't you think we might all be buried at a convenient place? We could all be buried in France. That would be fine.'
'I don't want to be buried in France,' Nick said.
'Well, then, we'll have to get some convenient place in America. Couldn't we all be buried out at the ranch?'
'That's an idea.'
'Then I could stop and pray at the tomb of my grandfather on the way to the ranch.'
'You're awfully practical.'
'Well, I don't feel good never to have even visited the tomb of my grandfather.'
'We'll have to go,' Nick said. 'I can see we'll have to go.'